Rayfield Allied is delighted to welcome Australian soprano Alexandra Oomens to our roster for General Management.
Alexandra is just about to graduate from the Royal Academy Opera where she studies with Lillian Watson and Jonathan Papp. In 2017, she made her European debut at the Concertgebouw in the world premiere of a work commissioned for the Holland Festival.
This July, Alexandra sings the role of Zerlina Don Giovanni for Clonter Opera and next season she will make her debut with Opera North performing the role of Barbarina Le nozze di Figaro.
You can watch a clip of Alexandra performing live 'Myself I shall adore' in the title role in Handel's Semele for Royal Academy Opera conducted by Laurence Cummings by clicking here. Her various roles during her time at RAO have included Vixen The Cunning Little Vixen, La Princess/La Chauve-Souris L’enfant et les sortilèges, Laurette Le Docteur Miracle, Tina Flight, Cupidon Orphée Aux Enfers, and Damigella L’Incoronazione di Poppea.
Other operatic highlights include Clizia Teseo with the London Handel Festival, Isabelle L’Amant Jaloux, Lisel The Chimney Sweep, and Alinda Giasone all with Pinchgut Opera, and Childerico Faramondo and 2nd Lady/1st Witch/Spirit Dido & Aeneas, both with Brisbane Baroque.
A keen concert singer and recitalist, Alexandra has performed Mozart’s Exsultate Jubilate with the Amersham Festival of Music, as well as the Ride Hunters Hill Symphony Orchestra, and Bach’s Jauchzet Gott in Allen Landen and Coffee Cantata at the Canberra International Music Festival. She has performed as a soloist in Bach’s Easter Oratorio and Telemann’s Die Donner Ode with Pinchgut Opera, Bach’s B Minor Mass with Song Company, Vivaldi’s Gloria with Gondwana Choirs, and Bach's Christmas Oratorio (part 6) as part of the Royal Academy/Kohn Foundation Bach Cantata series.
Alexandra is represented worldwide by Nicholas Maw. Please click here for a full biography.
